Avid’s Pro Tools software has become today’s DAW program of choice for commercial and professional recording studios. The program is very easy to learn, and the design of the program very closely imitates how a real recording studio is arranged and designed.
Pro Tools has a reputation as being the best program to use if you’re looking to record and mix real instruments and vocals for your production work. I’ve been using Pro Tools for over ten years and it’s still my DAW of choice in the studio – I use it for everything from recording guitars and vocals to creating drum loops with MIDI.
Pro Tools software can be run on both a Windows PC and an Apple Mac. The program itself is centered around three windows:
- Edit window: where audio is recorded and edited
- MIDI window: where MIDI data can be recorded, edited, and processed
- Mix window: this mirrors the design and layout of a traditional mixing desk, including volume faders, pan controls, inserts, and aux sends.
Older versions only had two windows – Edit and Mix. The MIDI window was originally part of the Edit window.
Pro Tools has the following capabilities (alongside many more):
- video support
Pro Tools in the Studio
Like other DAW programs, there a few different versions available, each with their own features.
Pro Tools Express
This is a budget version of the program, and is a great way to discover Pro Tools software to see if you like it and would like to use it further.
- When you purchase an Mbox or an Mbox Mini, PT Express is included
- 16 mono or stereo audio tracks available
- 48kHz/96kHz, 16/24/32-bit recording
- Includes several plugin instruments and plenty of plugin processors and effects
- Can record up to 4 audio tracks at a time
Pro Tools Standard
This is the version that most people go for. It has many of the top-line features.
- Use any audio interface
- 48kHz/96kHz/192kHz, 16/24/32-bit recording
- Up to 96 mono or stereo tracks
- Record up to 32 audio tracks at a single time
- Countless numbers of plugin instruments, processors, and effects
- Comes with Beat Detective (a great tool that’s used to analyze and process rhythm-based audio files)
- Capable of mixing in surround sound
- Used with numerous types of control surfaces
- Upgrade Standard to an HD Native system by using one DSP card inserted into the back of the host computer, or by using an external Thunderbolt interface (these interfaces have very fast connection speeds, which eliminates latency issues common with USB and FireWire interfaces)
Pro Tools HD/HDX
The HD and HDX systems are the highest systems available and are the domain of the big commercial recording studios. These systems use DSP cards and external audio interfaces to enhance the power of Pro Tools.
There are different levels of HD available, starting at HD1 and going up. The level depends on the number of cards used and each successive level increases the system’s power.
You also have the choice of various items of hardware when it comes to the HD and HDX systems – mainly mixing desks, control surfaces, and audio interfaces.
They include all the features of the Standard version, but with some major processing power behind it. Some of the differences are:
- 48kHz/96kHz/192kHz, 16/24/32-bit recording
- Up to 256 mono or stereo tracks, even more when you add a DSP card or a Thunderbolt interface to the system. This number can rise to 768 when using the HDX system
- Record up to 256 audio tracks at a single time
Pro Tools History
The first version of Pro Tools was known as Sound Tools, and was released in 1989. Pro Tools 1.0 was then released in 1991 and it has continued to develop and grow from there. As well as being used for music production, Pro Tools software is also a major force in post-productionand film scoring as well.
Avid are the developers of Pro Tools software, and it’s now the name you see on all products and advertisements. Originally, Digidesign was the name attached to Pro Tools – however, Digidesign was owned by Avid, so Avid decided to withdraw the Digidesign name from the market.
There is a wide variety of choice when it comes to Pro Tools software (the link takes you to the official site) and hardware systems available today, and building a system that works specifically for you can sometimes be quite confusing. But if you’re interested in doing some serious recording, editing, mixing, and producing in your home studio, I don’t think there’s anything better than Pro Tools.